Who are you and where is “here” for you right now?
I’m a singer-songwriter, storyteller, performer, teaching artist, and writer in rural Minnesota. My bailiwick includes rock/folk/blues music, a multi-genre variety of original songs and stories about oddballs in history (most recently, my show ‘Oy Vey’ is Jewish for ‘Uff-da’ about Jewish immigrants to the rural Upper Midwest–there were some!), and the memoir I’m writing about moving from New York City to rural west central Minnesota.
I change my email signature regularly depending on who I feel the most like on any given day. I collect income from a hodge-podge of performances, song commissions and royalties, grants, teaching opportunities, articles, and the occasional consulting gig (in a former life, I consulted for non-profits).
What is your creative practice and what have you learned from it?
I try to devote a few solid hours each morning to creating. This works most of the time. I’ve learned that creating is a process, an unfolding that cannot be rushed. I’ve learned that the best work takes a lot of time—usually much longer than I want it to—and that I need to honor the process for my best work to come forth.
Where do you find inspiration?
In those weird moments when what someone says makes a firework explode in my head and I think, “There’s a song in that!” In spending time with other artists, especially those working in other genres. In books. In art galleries. In theater. In music. In local history museums. In storytelling. In oddballs.
How do you overcome the creative barriers you encounter?
I journal, mull, fret, and freewrite. Then I talk to friends and other artists about it until everyone is bored, especially me. Then I stop trying to fix it and just let it go, and the solution usually comes in a whoosh in some way I would never have actively figured out.
How do you regenerate when feeling artistically depleted?
I do something fun and creative, ideally something that engages me with art or nature: I visit a museum, take a hike, swim in a lake, go to the theater, listen to different kinds of music. Oh, and when that doesn’t work I go shopping and indulge in gourmet chocolate hazelnut tortes or the like. Living in the country, it’s easy to find serenity in the slow pace here, so what I most need is excitement and a concentration of creativity. That’s when I go visit the city. Spending a few weeks every year at artist residencies in different places around the country is also reinvigorating.
What does success look like to you?
On my worst days, it looks like my name plastered all over the tabloids. On my best days, it’s that moment when someone comes up to me after hearing a song of mine, and tells me how it changed them; how they felt understood, heard, and spoken to.
What do you want people to know about you and your work?
You’ll want to listen to my songs on repeat. You’ll be inspired and engaged by my performances. You’ll be enthralled and amazed by my songs and stories about oddballs. And you should buy my albums. And my book, when it comes out.
Learn more at www.elisakorenne.com.
To become a fan of Elisa’s work, follow her on Facebook
Thanks, Elisa! As many of you know, Elisa was my director for the show I produced at the 2010 Minnesota Fringe Festival. Her creative talents are awesome and she gets bonus interview points for using the word bailiwick.